Monday, May 18, 2020
The open question the colors every aspect of Woolf's Mrs. Dalloway
Nearing
the end of Virginia Woolf’s fantastic and challenging novel Mrs. Dalloway (1925)
I’m thinking of the major characters in the novel and their interceptions and
inter-relationships, as each navigates the streets of London over the course of
a single bright, sunny day: Clarissa Dalloway, preparing for an evening party
at her home, concerned with being perceived as trivial – is playing hostess all
her life amounts to?; Peter Walsh, at one time in love with Clarissa, now
suddenly turns up in London after a long absence in India announcing he’s there
to get legal council and to divorce his wife and marry (presumably) his new
crush – his life a wreck and a waste, and would he have been better off had hem
married Clarissa; her husband, mostly absent, busy w/ government work of some
sort – is he involved with someone else as well? – yet despite his coldness and
lack of originality and spark at least doing some good in his government work;
Hugh (?), a lightweight who’s drawn to some kind of Buckingham Palace job and
called upon to write an elegantly crafted but essentially stupid letter to the
Times; most of all: Septimus Smith, suffering from what today we know as PTSD,
after seeing close friend killed in the war, begin cared for by his devoted “war
bride,” Rezia, but becoming over the course of the day – plagued by visits to 2
doctors, who have completely opposite treatment proposals – sinking ever more
deeply into depression, delusion, and suicidal ideation. Of all the characters,
he seems to be the only one whose social circle doesn’t intersect w/ Clarissa’s
(although maybe that will happen by the end, perhaps through his high-priced
physician?). An open question remains: To what extent are the two polar
opposite characters – perfect host Mrs. Dalloway and suicidal Spetimus –
different poles in Woolf’s own personality (sadly, we cannot read of Septimus’s
suicidal thoughts w/out thinking of Woolf’s death), or even two opposite poles
in British society of her era:
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