Sunday, September 15, 2019
A day of disappointing reading
Just a depressing day of reading yesterday; maybe it's me, or maybe not.
But went with high hopes to current New Yorker story, Garbor, by Gareth
Greenwell, an author being heavily promoted now for his forthcoming
novel from FSG, still probably the top major-market literary press, and
the story starts well, writing strong a captivatingly conversational,
but after all the story is about an American writer at a writer's
conference in Bulgaria and his interactions over the course of a night
of heavy drinking with a small cadre of writers - and really what's a
more tired, navel-gazing topic than the travails of a young writer among
other writers abroad? But perhaps GG can lift this story above
expectations, and at times he does so - I did follow the narrative to
the end - but what's the payoff? We shift focus a few times to
narrator's lamenting the breakup w/ his boyfriend, but this sorrow is
not developed into much of anything (perhaps GG makes much more of this
broken relationship in the forthcoming novel, from which this seems to
be an excerpt); there's a moment when one of the Bulgarian writers
expounds that writing a story is like making love to a woman, to which
the narrator adds, Why not to a man?, thereby confounding the Bulgarian -
and, yes, part of the point is that there are multiple perspectives on
love and sex (of the narrator's longing for his ex-boyfriend we could
say: why not a girlfriend), but this is hardly a groundbreaking insight
at this point. At the end, one of the Bulgarians, a priest, swims naked
in the harbor; expected more to come of this, but story or excerpt just
ends with the priest swimming against the tide - not much or a
resolution, nor of an insight. Will still look to his novel for more
when it's published. Speaking of which, tried to read further in Umberto
Eco's Prague Cemetery and finally, completely lost in the arcana of
who's supporting whom and why in the battles for an Italian nation under
Garibald, I just have throw up my hands in exasperation and say: Who
reads this, other than reviewers paid to do so? This novel is so
demanding and so nearly incomprehensible that it does nothing for me
other than to prove that Eco was really intelligent and learned. Fine.
Got the point. Not reading any further in Eco. Or maybe it's just me.
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