Why
so much violence in Rabelais's Gargantua & Pantagruel? I mean it's
among the bloodiest books I've ever read - so much slashing and stomping and
beheading and slicing open of guts and carcasses - I know medieval warfare was
a nasty business, but this is so extreme - and of course that's the point,
that's almost the very essence of the adjective Rabelaisian, everything taken
to the extreme: It's a novel about a giant (two, actually) with giant appetites
and gigantic gestures, so when Gargantua is called into battle to save his
father’s kingdom he doesn’t just defeat the evading army but eviscerates them
one at a time. OK, I guess violence was pretty hilarious to medieval readers –
in the same way that today we still talk about “cartoon” violence, generally
not confined to cartoons but the lifeblood of action movies, such as the Batman
or the Bond series, and plenty of films with Schwartznegger or by Tarantino –
each a stylized violence but in comically exaggerated forms. So there is a line
connecting Rabelais to Ian Fleming – and yet – it’s ultimately not so funny in
Rabelais, it’s just gruesome. The closest near-contemporary comparison I can
think of is Cervantes = I remember being somewhat put off by all the violence and
cruelty (some of it not physical cruelty) in Don Quixote (my mother had the
same thoughts when she returned to DQ after many years and found it
disappointing); I greatly enjoyed re-reading DQ and came to tolerate the
violence because it was in service of plot and character; we suffered along
with DQ and Sancho Panza, and his sufferings helped us love and understand him –
they fueled the sentiment of the modern stage adaptation. Can you imagine,
though, a stage adaptation of Gargantua? Maybe there is one – but it seems to
me more suited to a great anime cartoon. The violence is superfluous and out of
all proportion, however, and may have given 16th-century readers a
frisson – as did every mention of sex and defecation, no doubt – but it makes
this novel feel quant and distant today.
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