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A daily record of what I'm thinking about what I'm reading

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Thursday, March 22, 2012

Stewart O'Nan's kindness

Have been reading Stewart O'Nan's novel "Wish You Were Here" in part because his more recent novel, Emily, Alone, is supposed to be somewhat of a sequel - following the main character from Wish, Emily Maxwell, farther into her widowhood - and I hadn't read the first installment so wanted to be up to date. At some point, I will get on to Emily, Alone as well. Have read a number of O'Nan's books - not all, he's quite prolific - and find him to be one of the most observant of contemporary writers, a true realist in the tradition of Balzac or Zola, great family sagas that are more about situation and, to some degree, character than about plot of style: you feel you are truly there among his characters, whether it's this family of nine, each with his or her own traumas or agonies, stuck within one another in a summer cottage, or, in other works, such as his recent Night at the Lobster, the crew at a restaurant on one stormy winter night (though that was more plot-driven). Full disclosure: Stewart O'Nan was kind enough to provide a very nice jacket blurb for my novel, Exiles. I have to say that I didn't know Stewart, I still don't know him, we have no friends in common that I know of - I just sent him a copy of the novel because I admire his work and thought he might like mine and he did - took the time to read and comment on the work of a first-time novelist whom he didn't know. What a kind and generous soul. Most writers are supportive of others - we know how difficult the work is - and Stewart is one whose kindness I will always remember.

1 comment:

  1. Hi Elliot, I'm an old friend and fellow undergrad DU English major of WS. This is my first visit to your blog and I'm thrilled to find Wish You Were Here among your topics. I don't read very many novels by contemporary white guys, but was given this one by another DU English major friend and I loved it. I also read Emily Alone which I found even more moving. Among other things, I found O'Nan's ability to sympathetically portray difficult woman (e.g. in the kitchen-sharing scenes in WYWH) uncanny. I liked Margaret (?), the sister-in-law a good deal more than you seemed to, but overall your reading resonates with my experience. I look forward to reading more from of your observations.

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